Gas

DescriptionA young boy deals with a world he is not ready for. (I've rewritten segments of the story and fleshed out the role of the sister quite a bit. I'm much happier with the story in this form)

Added: 12 weeks 5 days ago  |  Last edited: 12 weeks 1 day ago

Category:   |   Reads: 355 reads   |  Comments: 32

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Gas

 

When Joe’s parents had told him that he would be getting the attic room, he was overjoyed. Up that second flight of stairs he would have the whole level to himself, his own fortress of solitude. From his window he would be able to see the lights of the suburbs as they spread all the way out to Dun Laoghaire harbour, to the right of the vista were the red and white stripes of the chimneys at the Poolbeg power station, to the left Howth Head’s peak could be seen as it jutted above the rooftops. In the middle was an expanse of distant water and Joe would spend hours watching the tiny dots of pleasure boats and the hulking masses of ferries. Since starting secondary school, his attitude had quickly changed. Joe’s father insisted that he go to his room after dinner each evening to study.

“If your homework takes less than two hours, you’re not giving it enough effort. Then you revise for an hour. That’s what I did when I was your age,” he had said.

Now Joe’s fortress seemed more like a prison. He always felt so isolated as he sat for the mandatory three hours listening to the sounds he could dimly hear two floors below, his younger brother and sister arguing or playing, his mother talking on the phone, his father coming home from or leaving for work. Joe would do his homework, then read a book or just sit listening to what he could hear of the rest of the household. Occasionally, when he could scrounge some batteries, he would play Tetris on his battered old Game Boy. He would always leave his school books open in case anyone came upstairs to check on him.

One day Joe was sitting at his desk, looking out the window at the lights of other houses spreading out into the distance, when he heard adult footsteps coming up the first flight of stairs. His mother had gone to visit her sister that night, so Joe knew that it was his father on the stairs. He was probably just going to the bathroom, but Joe pulled his open copy book towards himself and picked up a pen, just in case. His instincts proved to be right as his father began to make his way up the second flight of stairs.

“Are you finished your study?” his father asked as he strode into the room. He was a tall and skinny man but Joe had always found him imposing nonetheless. Joe’s father had tested him like this before, asking if he was finished before the three hours were up. Any response in the affirmative would result in an extra half hour being added to his sentence for the rest of the week.

“No,” said Joe, “I still have to finish my maths.”

“We’re going for a drive, put on your coat and get your brother and sister into the car.”

Joe’s sister sat in the front seat beside their father, Joe sat in the back with his brother. Their father often decided to go for long drives, sometimes alone and sometimes with the family. That night, the drive seemed to go on forever.

“Where are we going?” asked Joe’s sister, Tara. It was obvious that she was annoyed. Usually her friend Allison would come over in the evenings and they would spend hours in Tara’s room, singing along to Backstreet Boys and Boyzone tracks that had been taped off the radio. She hated these monotonous drives, always the same, endlessly traversing the Wicklow Mountains or circling the inclines of Howth Head.

“Just for a drive,” their father replied. His eyes never shifted from the road.

Eventually they pulled up at a shop they had never been to before. They all climbed out of the car and went inside.

“Pick yourselves out a treat,” said their father.

Joe was delighted, they usually weren’t allowed sweets when they went to shops with their father. As they climbed back into the car, Joe’s dad opened the boot and put in a cylinder of gas.

“The Super Ser must need a refill,” Joe thought idly.

 On the way home, Joe relished his bar of chocolate while thinking of his Dad. He was usually scared of his Dad, he didn’t think that his father liked him very much, but sometimes he acted differently. Sometimes he would buy Joe or his siblings an unexpected present or just let them have a treat for no apparent reason. When they got home, Joe went into the sitting room with Tara and sat down to watch the television. Their brother was only four years old and in order to keep the peace they usually put on a tape that he would approve. Toy Story or The Wind in the Willows were the usual choices and though he had seen it a thousand times before, Joe was just happy to be downstairs as he slotted The Wind in the Willows into the VHS machine.

“Have you finished your study?”

“No, I’ll go do it now,” Joe replied, trying not to show his disappointment in case it should prompt a lecture or a punishment.

Joe sat down to his desk and looked at his watch. He would have to stay up here for an hour and fifteen minutes, maybe he could go back downstairs in an hour and his father wouldn’t notice. Joe sat down on the floor in front of his bookshelves, there was nothing here that he hadn’t read multiple times but maybe he would find something to entertain him for just one more hour. He pulled out his copy of The Carpet People and began to read. After some time he heard footsteps coming quickly up the stairs. He threw the book under his bed and leapt back to his desk as the footsteps alighted the second flight of stairs. It was Tara.

“I can’t find Dad,” there was something unusual in her voice. She sounded scared.

“What do you mean?” Joe asked.

“He went to put the car in the shed and didn’t come back in.”

Joe thought that was strange, their car was always parked at the front of the house, never in the shed.

“Then he’s in the shed, go out and see,” Joe said, irritably. Joe hated when she came up to his room during his study hours. He was certain that she did it on purpose sometimes, just to flaunt her freedom. Once she had caught him trying to conceal his Game Boy underneath his Science book and had run straight downstairs to tell their father.

“I don’t want to, there’s no light on in the shed,” Joe’s sister replied, her voice sounded very upset now.

Joe sighed and followed his sister down the two flights of stairs. He walked to the back door and peered out, there was no light on in the shed.

“Do you know where the torch is?” he asked.

“No.”

Joe didn’t like going down the garden at night time, he had never really been at ease in the dark and had only recently started sleeping without the hall light turned on. As he made his way down the garden, the clothes hanging on the washing line seemed to form a very real barrier between him and the possibility of retreat back into the house. Joe envisioned some sort of beast lurching towards him from the depths of the shadows ahead, he imagined himself turning to run, colliding with the washing line and thrashing about, becoming entangled in the clothes as the beast bore down on him. He glanced back between the limp, hanging forms which clung to the line like hideous bats. He could see his sister standing expectantly at the back door, silhouetted in the light of the kitchen. She seemed to be urging him wordlessly to go on. When he reached the shed he peered through the cracked window. It was caked in filth, covered with the tattered remnants of dried leaves which were woven through ancient, dusty, cobwebs. Through the dim light he could see that the car was in there but he couldn’t see anything else. He was getting more frightened now but he knew that the longer he stood there, the more frightened he would get. He decided to check quickly and get it over with.

He opened the shed door and strode purposefully inside. He reached into the darkness, groping for the light switch. Eventually he found it, flicked switch and took a deep agitated breath when nothing happened. That’s when he smelled the gas. The shed was thick with it. He stood for a moment in the darkness, not knowing whether he should hold his breath, or leave, or keep going. As his eyes adjusted he could just make out the form of his father sitting in the front seat of the car. It was only a few short steps away, he decided to go further into the shed.

The fear of the darkness which had been scaring him until then disappeared. Now there was an entirely different kind of fear which began to fill his veins with ice. Something very significant was happening that Joe didn’t quite understand, but he knew what he had to do. He tried the handle of the door, but it was locked from the inside.

“Dad?” Joe asked in a commanding voice, “Dad, get out of the car.”

He began to bang hard on the window, the smell of gas was so much stronger nearer to the car.

“Dad, there’s gas. Get out of the car.” Joe was shouting now.

He ran around the car and tried the other door, it was locked too. He remembered that sometimes the boot didn’t lock properly when the doors were locked. He ran to the back of the car and opened the boot. The cylinder of gas that his father had bought sat there with a nozzle attached to the top. It hissed angrily. Joe fumbled with the nozzle to release it from the canister and began to pull the cylinder out of the car. It was very heavy for Joe’s eleven year old frame but he wrestled the cylinder towards the door and out of the shed. Joe ran back to the car and climbed in through the boot. He climbed over the back seats and grabbed his father’s shoulders.

“Dad, wake up,” he demanded as he viciously shook the shoulders.

 His father’s head slumped forward onto his chest. Joe was beginning to lose the resolve which had driven him through the last couple of minutes. Panic was welling up inside him. He reached for the lock of the door and pulled it up. He turned and climbed his way back out through the boot. He ran to the door and pulled it open.

“Dad, please. There’s gas,” Joe intoned weakly.

He gripped his father’s forearm and began to pull him from the car but he was so much heavier than the cylinder of gas had been. His father’s limp body began to shift as it was pulled, eventually gaining momentum and tumbling awkwardly onto the floor of the shed. For a moment Joe stood silently, looking at the crumpled figure of the man that had been his Dad, then he screamed and ran from the shed, from his father. He knew that the man on the floor in there was dead.

Joe’s feet never seemed to hit the ground as he fled; he ducked and twisted as he reached the washing line, manoeuvring through it effortlessly. Tara was still standing in the doorway. Joe could tell that she was crying before he reached her. She already knew. They stood in the kitchen, holding each other tightly, sobbing into each other’s necks as they listened to the contented sounds of their brother drifting in from the sitting room as he laughed at the voices Ratty and Moley and Mr. Toad of Toad Hall.

Comments

Good story Adam, if a little dark & horrid, but just what I'm in the mood for today-no not suicide but funny how I was thinking about an old aquaintance who done away with himself in his garage, not so long ago, to be found by his family...just before I read this. Well written. by the way is that a grouse onyour shoulder?

Hey Kieran, thanks for reading. lol, no it's not a grouse. It's a young golden brahma hen. My other hobby is rearing chickens.

Hi Adams

Very gripping story and such a sad ending. Could kinda see it coming and made me say "oh no". Well written.

Regards Jeanna

Thanks very much Jeanna. Until now I've never shown anything I've written to anybody but a couple of close friends, so your feedback is greatly appreciated.

Hi Adams S

Great story

also Horrifying

Well Done ;-D

Thanks a million Susanna, I'm delighted by the response it's gotten.

You are very Welcome Adams S ;-D

My kind of story ... (I've gotta kill at least one person per story) ... very well written ...  you've got talent son ...

Cheers Yellowhair, having read some of your stories that means a lot.

Overall I liked the way it kept me reading and use of dialogue good. Some errors I spotted (always difficult I find to spot one's own errors). Where he goes into the garden and the clothes-line, I think I see a word omitted. '...retreat...' something wrong there. Yet the description just around here is very good.   '...11 year old frame...' should be:  '..eleven-year-old frame...'. An editor would spot such things immediately. I felt the story's ending lacked something, I dont know, I'd tidy it up a bit. I'd like to have known just a bit more about the sister - was she older or younger?

A strong story on one awful tragedy, it's happening more and more and the story flowed for me.

Thanks very much for the pointers Ed, I see what you mean about the word omitted. I think I'll change "retreat" to "the possibility of retreat", also I'll fix the use of numerals, that's a bad habit that I've never shaken off.

I also agree that the sister should be fleshed out a lot more, as things stand she's basically no more than a device to get Joe to come down stairs and that has to be sorted out.

As for the abrupt ending, I really haven't got a notion about how to rectify it. I'll have to give it some thought.

Thanks again for your help, it's very much appreciated.

Regards,

Adam

The sister could either be younger, but you've scope here to make her older and more mature. Why so, the boy narrator wonders, would his older sister be calling him to 'take charge', as it were, in this situation re: the garage? He would feel himself thrust into a positio of more responsibilty; why? So a sense of wonderment could be relayed by this boy narrator over this. 

I'd go for a 'stark' ending; the body falling out, cold, motionless onto the ground like a sack of potatoes. The boy looks over at his sister's shocked face. ('He'd recall the shock on his sister's face for ever....') Something like that - the end. I felt this ending was, I dont know, not quite getting there.

It's good tale on a topic not any longer taboo and is more prevalent now in Ireland.

Hi again Ed, I think you're right about the ending. I'm going to take some time to tinker with it over the weekend, also to flesh out the role of the sister. I still feel that I need to keep the sister as younger because I think Joe's sense of isolation is dependant on his feeling that the father is harder on him because he is the eldest of the children, this is shown particularly when he is stuck in his room but he can hear his sister carrying on downstairs. 

Thanks again.

Adam

That's a good point that the father isnt so strict on the other siblings and that Joe can hear them talking below - no such restrictions upon the others. But the fact that Joe is dispatched up to the attic again to carry on studying and doing homework is a clever ploy by the father (and the story writer) to keep him out of the way while the father perpetrates his awful deed.

 

Meanwhile I've to get working upon a story for Listowel, I could tell you what the story is 'about'; just it's not written as such; yet! I've one notepad on my mobile phone full, (3,000 characters long) as I pen the story on my phone writing portions of it. Closing date is Friday next.

If someone sees someone with a pram running through Listowel's streets on Friday next 'twil be Ed running with my manuscript in a loaded pram (!) to the short story office and not a Moore Street fruit seller.

('Get yer apples or chocolah.....!')

Best of luck with it Ed, I really enjoyed your "Three Sevens. Songs and Jukeboxes" it was a lovely read, you clearly know what you're about. Will you be able to post your story here after submission to Listowel or do you have to keep it under wraps?

I'm about to start tinkering with "Gas", I'll hopefully repost it here as an edit when it's finished. 

Enjoyed reading the edited version. Very good read.

Adam

Great story. I liked the way it wrapped me up in a somewhat nostalgaic air first of all, and the view from the room was very evocative. The trip out I felt lost the impetus, the story seemed to drift for a while. Then the final scene is brilliantly evoked, very powerful. I wonder if you need some kind of a hook towards the start to let us know something unsettling is coming, to add an edge to the car journey?

Kieran

adam

i loved it, i was there , i could see joes room , i had it all in my mind.

i wanted his dad to like him , Joe sounds lovely

i think your a terific story teller, id be over the moon if id written this

well done , do more

regards Roisi

@ Kieran. I see what you mean about losin the impetus during the drive segment. I thought that the fact that the father had bought a cylinder of gas would me mildly ominous, as the title of the story is gas, it would ring some kind of bell for the reader. At the same time, I didn't want to draw too much attention to it.

I think that I could perhaps add a few lines indicating that the father loses his temper during the drive, or just seems particularly withdrawn. Something to create a bit of tension while they are in the car.

@ Roisi, thank you very much. I've added a few pieces since I joined the site and I have more in the pipeline but this story is by far the one I am most proud of, so I'm delighted by such a kind comment.

Nicely done, sir.

 

Just enough grit for a Monday evening read!

My favourite sentence combo was this:

 "...from his father. He knew that the man on the floor in there was dead."

 

Heartbreakingly simple; really captured the way the kid rationalised what he was looking at.

Waitin' on your next one!

 

- Muddy

Thanks Muddy, I appreciate that.

I'm working on another piece at the moment but it's giving me a lot of trouble. It seemed like such a good idea when I thought of it but as I get it down on the page it looks less and less like the story I had in my head. The more I revise it and rejigger it, the more the story in my head changes to look like the one on the page. 

It will turn up here on the site, sooner or later.

I've read this and seen the improvements.

I feel the story for me anyway had enought in it and the narrator brings us along just nicely. As you remark the title alone 'Gas' will keep us reading and then the da buying the cyliner of gas is ominous.

I'm a little 'unhappy' at the introduction of Dublin Bay. A few sentances later we learn how the room is a somewhat prison and how he plays games on a console. So is he 'glad' (or not?) to be looking out on Dublin Bay. the fact about seeing out over the bay doesnt do or add anything at all; for me anyway.

Very late in the story, a reference to a 'Dad', that doesnt take capitals there. 'Dad' or 'Mam' where it's an address is capitalised but dad or mam on its own is not capitalised.

Good poignant work this.

Cheers Ed, great input as ever.

I was trying to give the impression that Joe is very happy with the room. It's his little paradise where there are hours of entertainment, even from something as simple as the view from his window but that it loses it's appeal when he has no choice in the matter. The fact that he is forced to stay in his room each night takes the shine off everything. Sure it's nice to have this beautiful view but it's tainted by his isolation.

I thought I had conveyed that in the lines just before and after the father's first bit of dialogue. On re-reading I still feel the same but perhaps it could do with a little re-working. 

As for the capitals in the titles Mam and Dad, it's just more of my grammatical sloppiness. Between that and my unfailing abuse of the common comma I really need to brush up on the basics, lol.

Thanks for the re-read.

Kind of 'disagree' with you viz the room. I dont know is he unhappy or happy in that room. I'm receiving contradictory 'signals' in the story about that.

But it's shaping up very well now - on something which is losing its taboo; at last.

(The number of male suicides now exceeds the number dying on our roads.)

Hmmm, maybe I just can't see the wood for the trees. I've been reading and re-reading it now for so long that I just can't see it. I understand the point you are making but I just can't see where the language is lacking. All I can think of doing is trying to show his attitude changing over time rather than in one or two sentences around that piece of dialogue, but then I think I'll hit pacing issues.

I think I'm going to leave it alone for a while and not read it again until I can come at it from a fresh perspective. I need to take a bath and get away from it like Archimedes before I can have my "Eureka moment".

If I keep talking like this, I'm going to have you all fooled into thinking I know what I'm going on about. lol

I'm looking at that attic part of the story now.

We move from the fortress of solitude to a prison; done capably. Isolation referred to and we get references to 'listening' twice. Narrator tells us how he'd 'spend hours' watching pleasure boats and ferries. He'd scrounge batteries and play Game Boy.

And then one day as he hears adult footsteps on the stairs he's: QUOTE  looking out the window at the lights of other houses spreading out into the distance UNQUOTE.

So what's it to be?

Couldnt he be playing Game Boy? 'His idle watching of a sea ferry [crossing the Bay] was disrupted by adult footsteps in the stairs.'

Now as you say, sometimes if you leave a story and come  back to it you can see errors etc., that  youhadn't spotted. In a short story every word, sentance even, can be vital.

 

(BTW: I can be awful and have got storys back with 'the the' and so on, simple typos I failed to spot myself. I can read anybody's pieces - except my own.)

I don't know Ed. I reckon I could clear up the whole issue by simply changing one or two words of that sentence.

"absently gazing out the window at the lights of other houses spreading into the distance... "

If I really wanted to push the boat out I could stretch it out, continuing with:

"... the sense of malaise and boredom accentuated by the numbing sameness of that view. It was changeless and eternal, which was also how he felt about the long exiles to his room each night. The view's beauty was forgotten now.. "

 

Lol, thanks Yellowhair. I apprecciate the sentiment but to be fair I did ask for some constructive criticism in the forum section, so I have to be able to roll with the punches.

I happened to agree with many of the points that Ed raised and they got me thinking enough to fix the parts of the story that I felt were weak. 

Sure there are areas where we disagree but it's just that, a disagreement between adults. At the end of the day, it's my story and I'm man enough to stick to my guns when I don't agree with advise that I'm given (as I already have done). 

I'm not trying to satisfy anyone but myself with the stories I post here, but when I post them first they are often quite raw and I'm never entirely happy with them. I'm happy to take criticism or advice and it doesn't knock my confidence, rather it helps me see the story from a fresh perspective. 

As I've said elsewhere on the site, I'm a pretty inexperienced writer. It's something that I dip in and out of periodically and I have a very bad habit of not finishing stories. After joining the site and seeing some of the work posted here, there are some very impressive writers here with a great variety of styles and genres and to be honest I'd be doing well to get advise or pointers from any of you. 

A.

I think you're off on a point somewhere.

Maybe do as you said  originally and leave the story, and come back to it again, it helps as you can look at it in a new dimension. BTW: It's a very good story.

I've just, inside that last 90 minutes completed a short story for Listowel WW, I dont have that luxury of 'leaving it' as the closing date is days away. I've to start editing it immediately.

(I might send it in a shoebox twined together in loose pages for someone up above to adjudge.)

Best of luck with it. I've had an idea for a non-fiction piece that has the potential to be pretty good and will probably be quite a big write, so I'll be leaving this one alone for the foreseeable future.

Ah!

Yer still here!

Just did up a post to the secrets of successful writing thred.

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